fRiends of fRoots
Here's what some of our friends have said about fRoots
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"I doubt if the huge audience that now exists for world and roots music would be there if it weren't for fRoots." Joe Boyd |
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"The people of fRoots care a lot about the diverse musical expression coming from Africa and they write about it with objectivity and with joy." Youssou N'Dour |
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"fRoots proves that Englishness and multi-culturalism do go together." Billy Bragg |
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"fRoots provides a focal point for a scene so diverse it would seem impossible to represent, but they manage it with taste, objectivity, humour and intelligence." Eliza Carthy |
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"Probably the most independent magazine dealing with world music: a rare and vital quality to be supported." Rokia Traore |
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"fRoots has lowered the barriers between nations the world over with the universal language of music and song." Bob Copper |
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"I read fRoots to keep up with who's making the best music in the world these days, but also for enjoyment! The sheer volume of information is awesome." Charlie Gillett |
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"fRoots has not only been a pioneer in promoting 'world music' but has most often been the first magazine to carry the big story about the best new talent." Orchestra Baobab |
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"fRoots is a definitive part of the UK music scene - the only published port of call to embrace such an eclectic range of music." Thomas Brooman, WOMAD |
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"Incredibly stimulating." Robert Plant |
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"No effRoots, no effing comment!" Ian Telfer, Oysterband |